Kononfla: MP Bema Coulibaly revives the Gbaliagba dance after decades of dormancy

On August 28, 2026, the town of Kononfla came alive to the rhythm of the Gbaliagba dance, a tradition that had long since vanished. Thanks to the presentation of traditional drums (tam-tams) initiated by the Honorable Bema Coulibaly, MP for Bazré-Kononfla, this piece of cultural heritage is making a comeback.

Kononfla, August 28, 2026 – An event filled with emotion and symbolism took place today in Kononfla. The Honorable Bema Coulibaly, MP for the Bazré-Kononfla constituency, officially presented the drums intended to revive the Gbaliagba dance. This cultural practice—a true hallmark of the community’s identity—had lain dormant for decades.

The ceremony, held at the MP’s residence, was hailed as an act of intangible heritage preservation. By gifting these sacred instruments, the elected official aims not only to revive a tradition that had fallen into disuse but also to restore a sense of pride and social cohesion among the local people.

“The Gbaliagba dance is more than just entertainment. It tells the story of our history, our connection to our ancestors, and our unity. Seeing it reborn today is a victory for the entire region,” declared the Honorable Bema Coulibaly during the presentation.

Those who received the drums expressed their gratitude, noting that the dance was once performed on major occasions such as funerals, harvests, installations of leaders, and community celebrations. Its gradual disappearance had been felt as a significant cultural loss.

With these new drums, younger generations are now encouraged to reclaim the steps and rhythms of the Gbaliagba. Learning sessions and public performances are expected to be organized in the coming months to firmly establish this revival.

This initiative by MP Bema Coulibaly is part of a broader effort to promote local cultures and foster intergenerational transmission. It also highlights the vital role elected officials play in safeguarding cultural identities, extending well beyond mere infrastructure development.

In Kononfla, the sound of the drums has thus rung out once more, heralding not just a simple resumption of activity, but a genuine cultural renaissance.